The TARDIS travelers are now the Daleks’ “greatest enemies.” That seems to be a pretty sudden start to their extremely long relationship with the Doctor. That 2nd story we tagged along for may have eventually led to the time war. We will see how it plays out, but the Doctor may only have himself to blame for now being alone in the universe.
This story was full of both audible and implied music. We start out right away with the Doctor singing as he and Barbara relax on the sand. The Beatles are shown in the British version of the story. The Daleks repetition of the words TARDIS and annihilate even sound sing-songish. Vicki’s lilting and creepy nervous laughter when the secret door opens. What I imagine as an eerie wind singing in the background as Vicki & Ian struggle over the sand dunes. The sea and mystery in my opinion are always musical. Here the Mary Celeste or Marie Céleste involves both! Haunting and fear in the “haunted house” also brings haunting notes to mind. Finally the actual hip background music that serenades the group as they run to the TARDIS.
I am sure that there are many more musical qualities, if not actual then at least subjective moments, that o did not mention. What I did not find musical, or not pleasing at any rate, were the fake American accents from New York and Alabama. Painful.
I cannot say I am all that sad to see Ian go. He has been quite bossy over the past few stories. And despite being a Science teacher, a profession I might think would be up for adventure, he seems very irritable and crabby. Traveling through space and time is not his cup of tea. That is aside from his sword fighting skills, which have really excelled.
Now Barbara I will miss immensely I mean, just this story we found out she loves sailing ships? I love sailing ships! Courtesy of my father, I have one that looks just like the model they used to start out the scene with the Mary Celeste.
Ian sure blew up the Dalek’s ship quickly after landing. Now they can never go back. 😦 And I am sorry, but that cannot be the Dalek’s only ship…
- Story Grade: B
I would like to focus the majority of my blog post on the one scene that cannot be viewed in North America on a legally purchased copy native to the area…
Yes, the best classical artists to ever grace the planet Earth, at least according to Vicki. Yes Ian, “Styles change, styles change.”
Recently I began a quest, much like the idea behind this blog, to listen to EVERY one of my CDs. Having well over a thousand albums on hand, this task is a large one, but I shall not digress further into madness. I am currently reviewing through Blur, so that means that I have already reviewed the entirety of The Beatles box set. As a younger person, I was never really impressed by The Beatles, I wanted to find that voice for MY generation, not my parents’ or even grandparents’ generation. I wrote them off due to them deing from the 60s and because I thought they were mainly that pop band that existed until 1967. Finally, within the last 5 years or so, I was able to really look at the creativity of older bands and analyze their contribution to current artists that I liked, and I found something shocking… they were better than all of my current day musical icons.
Whoa! Hold off on the musical review, tony, fall back in line. Let’s get back to The Beatles AND Doctor Who. I’ll cite the Wikipedia page for the following bit of info on this magical moment that combined two of Britains most decorated masters of their medium…
- As you may have already found out through this blog, many episodes of Doctor Who have been lost or “wiped”, as was common back in the 1960s; film isn’t cheap! What is fascinating about this episode, though, is that this is one of the lucky Who stories to survive, while the episdoe of “Top of the Pops” that the Beatles clip was taken from was actually wiped. So this makes the clip in Doctor Who the only surviving clip of The Beatles “performing” on “Top of the Pops”! So you could almost say that The Doctor saved The Beatles, that his Time and Space Visualizer really worked!
- The sour note of all of this “saving of The Beatles” is that the idea for them to actually appear on Doctor Who was scrapped by their manager, Brian Epstein. The Beatles were to appear in the episode playing themselves, but in heavy “aging make-up”. It may have been the only way to see The Beatles together in the (theoretical) 21st century. As hard as it is to complain of a Beatles performance on Doctor Who, I feel a bit let down knowing the grand idea that never came to fruition.
Now please take a minute to look at the notes I wrote. I tried to stay away from adding notes, but as I wanted to cover The Beatles, I had to revert to a few of my favorites. Enjoy the funny links!
This must be the story where the Daleks really like to yell and repeat (TARDIS, annihilate, and exterminate are all screamed in the first half of the story).Mohawked spandex men. Their water was taken, apparently they are fish-like things.The Doctor just kind of shoved the fish dude into the octopus while Barbara actually tried to help. Kind of like George in Seinfeld (pushes women, children, and the elderly).NEW YORK! Complete with terrible accents. And bad Alabama accents.Uh oh, Daleks meet the Alabaman. I get a real Randy Quaid vibe from him. The New Yorker giving the tour is kind of Kramer-ish. Hey, this story would be great if I could cast those people!!At least they made a fun story with the real Mary Celeste ship. Using a historical mystery and infusing it with Doctor Who… THAT’S how it’s done!“Daleks don’t like stairs!” -Ian playing the role of captain obvious. (I kind of miss those Daleks.)Frankenstein is going APE on the Daleks. Vicki was left behind, though. No one notices that Vicki is not there? Finally, Barbara is the one to notice. Is this just underlying sexism at it’s best (well, actually worst)?Mechanoids vs. Daleks: Battle Bots!! Lots if fire and destruction.Yay! They made it home! This slideshow of crazy pictures was weird, but oddly fun. The Doctor looked in on them with the Time and Space Visualizer, and he is saddened for losing them. At least he has Susan 2.0, I mean Vicki.
- Story Grade: C+
- I really like the variation in this long story. Visiting multiple places to keep the pace up was a very nice touch for what could have been an overly long adventure. I mentioned it in my notes, but the involvement and explanation of the Mary Celeste using Doctor Who was a nice touch; you don’t have to set the whole story there, but just use actual mysteries to intertwine Doctor Who “reality”, THAT’S how you go historical in my book.
Thank you to the British people for believing those RIDICULOUS American accents. Who knew that Doctor Who was really just the launching pad for Seinfeld ab out 25 years later?! Thank you to the group of writers and the show-runner for choosing to set this story in multiple locations, like I said, it helped the pace a lot.